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The American Art Fair Online 2021

A Virtual Booth of 19th and Early 20th Century Paintings and Works on Paper

May 8 – 29, 2021

Thomas Anshutz (1851–1912), "A Passing Glance," c. 1907. Pastel on canvas, 42 x 30 in.

Thomas Anshutz (1851–1912)
A Passing Glance, c. 1907
Pastel on canvas, 42 x 30 in.
Signed lower right: Thos. Anshutz

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William Mason Brown (1828–1898), "Still Life with Fruits, Samovar and Teacup." Oil on canvas, 20 x 16 in.

William Mason Brown (1828–1898)
Still Life with Fruits, Samovar and Teacup
Oil on canvas, 20 x 16 in.
Signed lower right: W M Brown

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Charles Ephraim Burchfield (1893–1967), "Frosted Windows," 1917. Watercolor and pencil on paper, 26 x 20 in.

Charles Ephraim Burchfield (1893–1967)
Frosted Windows, 1917
Watercolor and pencil on paper, 26 x 20 in.
Signed and dated lower right: Chas Burchfield / Jan 1917—

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Clarence K. Chatterton (1880–1973), "Inlet at Ogunquit, Maine," c. 1925. Oil on canvas, 28 x 36 in.

Clarence K. Chatterton (1880–1973)
Inlet at Ogunquit, Maine, c. 1925
Oil on canvas, 28 x 36 in.
Signed lower left: C.H. Chatterton

 

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Charles Demuth (1883–1935), "Roses," 1926. Watercolor and pencil on paper, 11 7/8 x 17 7/8 in.

Charles Demuth (1883–1935)
Roses, 1926
Watercolor and pencil on paper, 11 7/8 x 17 7/8 in.
Signed and dated center left: C. Demuth 1926

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John Evers, Jr. (1794–1884), "Front Street, Hempstead, New York," 1870. Oil on canvas, 11 3/4 x 17 in.

John Evers, Jr. (1794–1884)
Front Street, Hempstead, New York, 1870
Oil on canvas, 11 3/4 x 17 in.

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John Evers, Jr. (1794–1884), "Northeast Corner, Front Street, Hempstead, New York," 1870. Oil on canvas, 12 x 17 in.

John Evers, Jr. (1794–1884)
Northeast Corner, Front Street, Hempstead, New York, 1870
Oil on canvas, 12 x 17 in.

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William Stanley Haseltine (1835–1900), "Sunrise at Narragansett, Rhode Island," 1863. Oil on canvas, 18 1/4 x 31 3/4 in.

William Stanley Haseltine (1835–1900)
Sunrise at Narragansett, Rhode Island, 1863
Oil on canvas, 18 1/4 x 31 3/4 in.
Signed and dated lower right: W.S. Haseltine, N.Y. 1863

 

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David Johnson (1827–1908), "Catnip Island near Greenwich, Connecticut," 1878–79. Oil on canvas, 22 x 34 in.

David Johnson (1827–1908)
Catnip Island near Greenwich, Connecticut, 1878–79
Oil on canvas, 22 x 34 in.
Signed and dated lower right: DJ 78
Inscribed on verso: Catnip Island near / Greenwich, / Conn. / David Johnson 1879

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David Johnson (1827–1908), "Lake George," c. 1870. Oil on canvas, 10 x 16 in.

David Johnson (1827–1908)
Lake George, c. 1870
Oil on canvas, 10 x 16 in.
Signed lower left: DJ
Inscribed verso on frame: Mrs. Baffington

 

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John Marin (1870–1953), "White Mountain Country, Summer No. 29, Dixville Notch, No. 1," 1927. Watercolor, graphite, and black chalk on paper, 17 7/8 x 22 1/4 in. (including mount)

John Marin (1870–1953)
White Mountain Country, Summer No. 29, Dixville Notch, No. 1, 1927
Watercolor, graphite, and black chalk on paper, 17 7/8 x 22 1/4 in. (including mount)
Signed and dated lower left: Marin 27
Inscribed on verso in pencil: White Mountains Country / (29) Dixville Notch No. 1 / Marin 1927

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Willard Leroy Metcalf (1858–1925), "Green Idleness," 1911. Oil on canvas, 26 1/4 x 29 1/4 in.

Willard Leroy Metcalf (1858–1925)
Green Idleness, 1911
Oil on canvas, 26 1/4 x 29 1/4 in.
Signed lower right: W. L. Metcalf
Old label on verso inscribed: Green Idleness 602. / W. L. Metcalf

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William Paxton (1869–1941), "The Other Door," 1917. Oil on canvas, 40 1/8 x 30 1/2 in.

William Paxton (1869–1941)
The Other Door, 1917
Oil on canvas, 40 1/8 x 30 1/2 in.
Signed lower right: PAXTON

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Lemuel Everett Wilmarth (1835–1918), "Wine Bottles, Walnut, Oranges and Raisins," 1892. Oil on canvas laid down on panel, 13 x 9 in.

Lemuel Everett Wilmarth (1835–1918)
Wine Bottles, Walnut, Oranges and Raisins, 1892
Oil on canvas laid down on panel, 13 x 9 in.
Signed and dated lower right: Lemuel E. Wilmarth / 1892

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